Today we had our follow-up meeting with Laura and our team leaders. In turn, we went through what we had been doing whilst at Kashion, our client, and our aims for the rest of our time.
I have been fortunate as the others have been changing clients, which is more confusing and means they are less able to understand the brand and what to design.
I appreciated having a more in depth description of an Michael Kors woman and the process made me understand who is was designing for so much better (which is just so crucial).
An MK woman is older than the other groups’ demographics, rather a more mature professional who wants classic pieces that look expensive and have nice details. They want something that makes them feel confident and comfortable. Print is popular, but all fabrics should be a good quality.
So we have now been set the challenge of designing and producing a fifteen-garment collection. The pieces should compliment each other but have diversity within them as to cater for different preferences.
This then can be shot and styled by us and made into a book, so we have a physical piece to show at the end of this experience.
It has gone from one extreme to another. We have all been finding things a little slow at Kashion lately, and not been given an awful lot of direction. Now things have really picked up and it is going to be a challenge to get it all done in time. We don’t have long left at Kashion and we will dependant on fabric ordering lead times and the making team downstairs for samples.
Despite this challenge, I am feeling positive and want to show Laura I am capable. I really appreciate her precious time and help and hope I can get it all done in time!
I have also got some more samples back. The dress Kiki wasn’t sure about is back and is a hit! Pleased she approves as I appreciate she understands the MK brand better than I do.
I have made some adjustments to it such as; change the exposed zip at the back to a concealed one, move the zips on the front slightly so it flows better and is more aesthetically pleasing. The person who took my design, interpreted my drawing differently to how it was meant, and put raw, single zips instead of inserted ones like explained on the sheet (I wrote and drew it clearly) but it just shows how accurate designs need to be illustrated and how much room for interpretation there is!
The neckline on this dress is too high and needs to be relaxed slightly so it drapes nicely. I also thought the shoulders on the top were too thick. This was originally intentional, as I considered the MK woman, who is an older demographic, with a potentially slightly larger frame. I know my mum often wants a slight sleeve so she doesn’t feel so exposed and it is often more flattering and I remembered this when designing. However, once made it looked too big and broad and I suspected it would do the opposite effect to my intention of flattering. So making the shoulder straps a little thinner, was also added to the list of alterations.
Another design back was a stretch, mocha coloured body con dress (the one inspired by the Burberry ruched dress). The only co-ordinating lining fabric I found was poor quality and cheap so I suggested a double layer of the same fabric. However, the make team forgot this (a seemingly frequent occurrence, despite my instructions on the design sheet but, I think language is to blame) so the dress was very thin and areas, such as the waistband, pulled where under stress. The sample looked ok on, but I think will look a lot better once the fabric is doubled.
All these amendments were explained to the pattern team and will hopefully be correctly and won’t need any further adjustments.
I think I am used to this process now and quite enjoy working directly with the garment. I like considering the features and design on the body and working issues through. I would love to learn how these are actually changed and amended on the patterns and made, but sadly this won’t be an option as there isn’t much time at all and everyone is busy, especially with our new deadline!